Car Insurance">Car Insurance It's a totaled car to you. Look at it. Someone side swiped it, bashed it in, and now the car sits in a lot of a garage for totaled cars, and all you can do is cry. Does your insurance pick up the bill for a car rental? How long - a week, two weeks? What's your deductible anyhow, 500 pounds in the UK, or $1000.00 in the US? It hurts, it really hurts. That's only your car! What about you?
Are you hurting? Do you go to the doctor with whiplash, sue the other driver, do they have insurance? It goes on & on. Have you ever dealt with a claims adjuster? They are not going to believe your story. It seems like the other guy is always right.
Did you ever get hit by a city bus? Do you know how big those mother's are? We here in Chicago have the biggest buses, and the stingiest city bus claims adjusters. Unless! God, a miracle accures! There's a witness, he saw the city bus side swipe your car, and rip off the outside mirror. He even gave you his name and phone number. This only happens once in a lifetime. You get the check.
But back to the bashed up car in garage lot. That was another accident, another time. The guys with cameras and notepads from the insurance firm come out to assess the damage. And the damage is: the car is totaled. It goes on metal heap.
Just for the hell of it, you take a picture of the car. The other driver was at fault, and lucky enough, you get a check.
Art Nouveau was short lived movement that grew out of Symbolism and spearheaded the Arts and Crafts Movement of the early 20th Century. And later the Art Deco Movement, which was a industrialist version of Art Nouveau's swirling lines. Organic themes. vines, leaves, flowers, stylized and flat were it's chief features. Beauty over content, and not much sub-context to speak of either, and void of "meaning". Or heavy art stuff. Art Nouveau is roughly translated into "New Art" , but one can look at it in another way. The newness of the 20th century over coming the old 19th century and a bringing a freshness of style instead of decadence and drug use and love of suicide by laudanum - a heroin like substance
March 12, 1978 - I was sixteen years old. I'd like to say I knew better, and I did, but you know when you're attracted to someone, it's all downhill from there. I mean to say, I was no innocent child. It all started in December of the year before. I worked in a coffee shop, and nailed him with coffee in his cup at 1:30am.dating after a break up">dating after a break up
I told him he looked like my favorite rock star. "Who's that?" he said in a nasty ass voice. "oh, you wouldn't know him, he's pretty unknown around here" I said, turning away.
"Who is it?" His name was Mike. 2am in the morning was nothing to me. I shrugged my shoulders. "Well, if you must know, it's a guitar player named Steve Marriott." I turned around to see the look on his face. I was used to people not knowing anything about my taste. I turned back to leave again
But then I heard a low voice, turned & saw a face that fell, and a direct look.
"How do you know who Humble Pie is?" he said.
"How could you not know who Humble Pie is?" I said. And in today's lingo, I would have added, "loser, stupid". He was a "Buttermilk Boy" - a country boy from the old country. But how did I know that?
But, boy, was I on the money. But he did look like Steve, slanted eyes, the mustache, the high cheekbones. Turns out it was his favorite guitar player too.
So that was the beginning. He resembled someone I had a crush on. It took til March 12th to get rock n' rolling, and I had been warned at least once I was in water over my head with this guy.
I said, on March 12th, standing over the counter, pouring out the coffee, "are you giving me a ride home?" Well, he finally did, and the rest is romantic history. At least it started that way. We sat at his parent's kitchen table drinking beer. I said, "so aren't you going to seduce me?" and looked away, thinking another stupid, another loser, but when I looked back, he had great interest in my idea, and let me know by leaning forward with his head in his hands.
It started out so great, but then hit a hard times, and tumbled into rage, passive-aggressive behavior, nasty fights, and two people who had nothing in common, but, well, Humble Pie & sex. Wasn't meant to last long, and when it ended, I wrote in my notebook, "I'm pregnant, I just broke up with my boyfriend, and I'm 18" It was "30 Days in the Hole" that lasted way too long.break up ">break up
Black & white, unglamorous, a new rock star woman poses in static form for her friend, her closest friend in the world, Robet Mapplethorpe. They were sitting in a coffee shop - the lady rock star is Patti Smith, who would soon be famous for this photograph and her band - and Robert dragged her away from the table to Sam's apartment. why? because in the afternoon there was a natural shadow of light that created a triangle of light. he posed Patti in front of it. she's wearing a kind a unsexual garb, white ripped armed shirt, suspenders, tight black jeans on her skinny figure. her hair is bushy. there are circle under her eyes, but that dead eye of Robert's framed everything in negative space, perfect lighting, and Patti, his best friend. in solid surroundings. never before had the record producers seen such an unflattering pose of a woman on an album cover. well, they didn't know art photography. oh, yeah, the album is named horses, and on Patti's coat thrown over her shoulder, there's tiny, upside down pin of a horse. the record producers lost.
an art poem on the back of the cover by Patti, the rest of the band photographed against a brick was and a message, "de l'ame pour l'ame" (to a friend, for a friend). it wasn't made out to Robert, but it should have been. that album cover went down in history.
today marks the 19th anv. of Robert's death. RIP
"charms, sweet angels -ou have made me no longer afraid of death" - Patti Simth
Andy Warhol Foudation for the Visual Arts, Inc. is now selling a million different low cost products with Andy work all over them. one is magnet. But there are: billfolds, women's clothes, watches, etc., etc. I bought mine at the mall, as in a mall rat mall, at Spencers. You should see the billfolds.
somewhere out there andy is smiling. he would love to see his work on billfords. plastic, a little cheap, it would have thrilled him no end.
here's a quote from Andy:
"I always thought one was company, two was a crowd, and three was a party"
have a party.
"Black Coffee" Man & Mirror, c.1974,black & white, photographer unknown There is a man looking up from the coffee and cigarette; he clutches the coffee up on his knee, fingers wrapped around it. Another cup of coffee in front of the mirror mimics the one in his hand.. The picture might be set in a flat, or temperary living quarters. The man appears somewhat care worn, at age 27, but still has his inner shine and sex appeal. He's mustached, layered hair, defined cheek bones, and if you could see his eyes better, you'd see the most beautiful eyes on a man possible: slanted, sexually suggestive, artistic, shining with wit, but filled with the being of an old soul. The mirror that occupies the space to the right of the photograph is on the same level as the man. In folktales, mirrors stand for souls being suckout of a persona. They stand for 'mirror, mirror, on the wall, who's the fairest of them all?" They stand for 7 years bad luck if broken. The man oblivious to his surroundings, and the fact he's being photographed, He's looking upward, towards the heavens, which he will one day occupy. "His eyes were watching God". The man is Steve Marriott, (1947 - 1991) white blues singer, guitar player, an a man of minor & major magic. ">